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He is his work. However, postmodern literary critics often denounce such an approach; the most notable of these critiques comes from Roland Barthes who argues in his essay " Death of the Author " that the author no longer should dictate the reception and meaning derived from their work.
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It is the end result of long labor on an aesthetic project[ Social novel and Proletarian literature Historically, because of the amount of leisure time and education required to write novels, most novelists have come from the upper or the educated middle classes. However, working men and women began publishing novels in the twentieth century. Later, in s Britain, came a group of writers known as the " Angry young men ," which included the novelists Alan Sillitoe and Kingsley Amis , who came from the working class and who wrote about working class culture.
National literature Novelists are often classified by their national affiliation, suggesting that novels take on a particular character based on the national identity of the authors.
In some literature, national identity shapes the self-definition of many novelists. For example, in American literature , many novelists set out to create the " Great American Novel ", or a novel that defines the American experience in their time. Other novelists engage politically or socially with the identity of other members of their nationality, and thus help define that national identity.
In his discussion of the history of the association of particular novelists with place in British literature , critic D. Pocock, described the sense of place not developing in that canon until a century after the novel form first solidified at the beginning of the 19th century.
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George Eliot —86 on the other hand is particularly associated with the rural English Midlands, whereas Arnold Bennett — is the novelist of the Potteries in Staffordshire , or the " Five Towns ", actually six that now make-up Stoke-on-Trent. In American fiction, the concept of American literary regionalism ensures that many genres of novel associated with particular regions often define the reception of the novelists. For example, in writing Western novels , Zane Grey has been described as a "place-defining novelist", credited for defining the western frontier in America consciousness at the beginning of the 20th century while becoming linked as an individual to his depiction of that space.
For example, William Faulkner set many of his short stories and novels in Yoknapatawpha County ,  which is based on, and nearly geographically identical to, Lafayette County, of which his hometown of Oxford, Mississippi. The conservative culture in the South has also produced a strong focus by novelists from there on the significance of family, religion, community, the use of the Southern dialect , along with a strong sense of place.
It was strongly influenced by the wars of independence from Spain and also denotes how each country in its own way defines criollo , which in Latin America refers to locally-born people of Spanish ancestry. Largely, this has to do with the dominance of men in the publishing situation. Literary criticism , especially since the rise of feminist theory , pays attention to how women, historically, have experienced a very different set of writing expectations based on their gender; for example, the editors of The Feminist Companion to Literature in English point out: For her, the public representation of women novelists within another category marginalizes and defines women novelists like herself outside of a field of "American novelists" dominated by men.
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For example, some academics studying Victorian fiction spend considerable time examining how masculinity shapes and effects the works, because of its prominence within fiction from the Victorian period.
Art manifesto Both literary critics and novelists question what role novelists play in society and within art. She argues that the novelist should represent "not a series of gig-lamps symmetrically arranged; [rather] life is luminous halo, a semitransparent envelope surrounding us from the beginning of the conscious to the end. Is it not the task of the novelist to convey this varying, this unknown and uncircumscribed spirit, whatever aberration or complexity it may display, with as little mixture of the alien and external as possible?